Review: Zoë Ferraris’s Kingdom of Strangers

by Jane Hammons

Nineteen corpses: female. Severed hands: three. One shifting sand dune.

When Inspector Ibrahim Zahrani arrives on the scene, only one face is visible, and it is not, he notices, a “desert face.” The bodies are those of Filipina housemaids, part of an immigrant labor force that is transforming Saudi Arabia into the Kingdom of Strangers Zoë Ferraris writes about in her latest novel, arguably her best.

Ibrahim fears one of the corpses might be his Filipina lover, Sabria Gampon, who he has not seen in several days. Because adultery is punishable by death, he has not reported her missing. But he does enlist the help of Katya Hijazi, the forensic technician featured in Ferraris’s previous two novels. Katya, eager as always to advance her career, agrees to investigate Sabria’s disappearance quietly while she also works on the serial killer case. With the assistance of her conservative boyfriend, Nayir Sharqi, the Saudi-Palestinian Bedouin desert guide who helps her interpret Quranic clues and chauffeurs her through urban and desert landscapes, Katya follows a trail of body parts that leads her to “Osiris,” a 20-year-old case with its own set of human remains. All female.

Interrogation: Owen Laukkanen discusses The Professionals

Owen Laukkanen1

Forgive some bellyaching for a moment. At Bouchercon this year there were two books that everyone was talking about, books that everyone but me seemed to receive in the bags given to every registrant: Johnny Shaw’s Dove Season and Owen Laukkanen’s The Professionals. I tracked down a copy of Dove Season as soon as I got home, and it ended up on my best books of 2011 list.

I had to wait longer for The Professionals, but it was worth the wait. It’s a thick book, and I expected it to take several days to get through. Two days later, I was done. It’s a very fast read, one that makes cliches like “edge of your seat” ring true.

A quartet of fresh college grads with degrees in majors that make them even more unemployable than the norm allow the old “what if we robbed a bank?” conversation to take root. They shift from bank robbery to kidnapping, and then they’re off. They wisely choose to hit rich targets and ask for modest sums, hoping to stay off the radar of law enforcement. When we meet them, things are just about to go very wrong.

Interrogation: Brad Parks discusses The Girl Next Door

Brad Parks

I’m just going to get this off of my chest: I have a bone to pick with Brad Parks.

You see, I’m a journalist, have been for years. At one point, while reading my thousandth or so crime fiction book, it dawned on me: the distance between a reporter and a private investigator is pretty short. Why not write about a crime-solving reporter? It was a genius idea. I went so far as to do research to see what the competition might be. Pretty slim at that time.

Then Parks stole my idea. Sure, you could argue that I let that idea sit for a decade or so. That I did nothing to follow it up, shared it with no one. But come on, it’s obvious, isn’t it? Carter Ross is surely a lot like the guy I would have created, and his quick wit and keen investigative skills are probably a lot like the traits I would have given my protagonist.

Grift Flash: Loser’s Prayer by Matthew C. Funk

Lord Jesus, exalted in Your suffering, You are with me.

In the valley of Lower New Orleans, in the shadow of the pawn shops, the Court Cashier, the state assistance check, You are with me.

The rod of foster care under Mac Davis gave me no comfort.

Comfort belonged to You and to Laurie.

She was my staff and my standard. My lover forever. My nineteen-year-old hero.

She led me to the Missionary Baptist Church, here, and to You, from a path of pick-pocketing at the Winn-Dixie, and petty theft from those afraid of my fists, and of the violence in me that drove them.

Submissions for #2 are now open

submissions

OK, we’ve rested on our laurels long enough. With Grift #1 now making its way into the hands of crime-fiction fans around the world, it’s time to start work on #2. With that comes this long-awaited announcement: Submissions are now open.

It was heartening to see the trust placed in us by the dozens of people who submitted work the first time out, sight unseen. Now that we have an (albeit short) track record, I hope that people will submit even more. And now that the first issue is out there, that people will have a better sense of what it is we seek.

30 Days of the 5-2: Keith Rawson’s ‘$25′

I always knew Keith Rawson was a serious writer. I don’t mean simply that his fiction is usually without a lot of laughs, but that he is intense about his craft. I also know, thanks to the well-thumbed issues of the Lineup on my shelf, that poems about crime can hit hard, the spare writing aligning with criminal consequences to offer a gutpunch in verse.

Sic Rawson on a poem and what do you think you’re going to get? Even I, knowing what to expect, was knocked out by his contribution to  The 5-2: Crime Poetry Weekly, $25. In what is essentially a poetic retelling of a true story, Rawson recounts his conversation with a phlebotomist who was in the process of using him as a pincushion.

Thomas Pluck beat me to the punch earlier this week with a nice writeup about the poem for the 30 Days of The 5-2 blog tour, so I thought I’d take a different tack and talk with the man himself, electronically. I provided some Qs, Rawson gave the As, and you have this:

Grift Flash: Saturday Night Live by Paul Newman

“Waddya mean he’s not dead?  We all saw him hanging up there!  He was up there all damned day!”  Peter said.

Thomas shook his head.  “Don’t take it out on me.  I’m just telling you what Luke said.  It looks like he’s gonna pull through!”

There were cheers in the small room.  Peter shook his head and buried his face in his hands.

Matthew was the only other one that seemed to understand.  “Shut up you idiots, shut up all of you!  Don’t you get it?”  He turned to Peter.  “Is it too late to call it off?  At least a delay?”

Interrogation: Hilary Davidson talks about The Next One to Fall

Hilary Davidson

Please forgive a bit of narcissism here. I first heard about Hilary Davidson when we both were nominated for a Spinetingler award for best short story on the web a couple of years back. My nomination was  a complete surprise, recognition for one of the first stories I published. As I looked at the other nominees to gauge my admittedly slim chances of winning, one name kept popping up in every mention of the nominations: Hilary Davidson.

She seemed to have a huge fanbase, and I could feel even those meager chances slipping away. Then I went and read the story and was blown away. I knew my chances were nil. As expected, Davidson walked away with the award.

It wasn’t the last. Her debut novel, The Damage Done, came soon after. I quickly converted from competitor to fan, and read and loved the book. So did many others, including voters for the Anthony Award for Best First Novel.

Grift #1 is now available

No

It’s official: Grift #1 is live!

If you’re ready for an exciting mix of essays, interviews and new fiction, Grift #1 is for you. The magazine offers a blend of all three in a great-looking package featuring 120 pages packed solid with original content.

The lineup is:

Scott Phillips on the Factory novels of Derek Raymond
Ray Banks on film adaptations of Charles Willeford’s books
Lawrence Block on his various experiments with storytelling styles
Chris Rhatigan’s long interview with author Julie Morrigan
My even longer interview with author Chris Offutt
My review of the three novels of John Rector

Grift Flash: Crystal Ball Cafe by C.J. Edwards

Fucking your psychic can have unintended consequences. Every reading since we started grubbing up Jean’s sheets revealed true love and long life. It’s not like I ever believed in that bullshit, I just asked because I wanted into her pants. Now I couldn’t peel her off me.

To make matters worse, Jean was a waitress at my favorite diner, Lenny’s. This greasy spoon looked like a silver bullet sunk into the rolling blacktop as if it had melted there. There were only three other patrons sitting in the red and silver-patched vinyl booths besides me. That was the way I liked it, slow and quiet.

It hadn’t been raining when I’d come in, but now it was coming down as if Mother Nature felt like she needed to catch up after such a long, dry summer. Squiggles of rain threw themselves down the window like suicidal jumpers off a skyscraper.